Allen Epley: more strings
Chris Metcalf: no strings
Eric Abert: four strings
The Life and Times has lived a thousand lives since their first record more than 12 years ago, after the dissolution of Allen Epley’s former band, little guy cult fave’s Shiner. This 5th full-length album is a sun and drug-dappled beauty, infused with a thick sonic kaleidoscope of tones. More immediate and to the point than previous releases, it’s a shorter record than they’ve made to date and is a nice summary of their thought processes: power and beauty hold the cards ultimately. One doesn’t work without the other here. The first song Killing Queens represents this heavy-lidded flowery power. The melodies here feel familiar somehow but without plagiarism or air quotes completely.
Recording for this lady began in August 2016 at the bands studio in Chicago with Paul Malinowski twisting knobs and riding faders. The mix session was headed by Jason Livermore (Rise Against, Descendants, Shiner) at Blasting Room Studios in Feb 2017. It is a macro-focus recording, high-lighting Chris Metcalf’s giant kick drum, a bass guitar sound that carries the entire song in it’s strings courtesy of Eric Abert, with Allen Epley floating in the upper reaches with guitar and vocal melodies intertwining like lovers. Squint just a little and you can see giants floating in the distance. Giants like Ride, Pink Floyd, Cheap Trick and even a touch of early Radiohead are never fully seen, but you know they’re out there, beyond the haze.